October 2018
Fashion Museum Bath
In conversation with Rosemary Harden Museum Curator, discussing a life time working in the Couture in London.
July 2011
Victoria and Albert Museum Summer School
A short lecture on the Modern Wedding dress, discussing designing and making Wedding dresses over the past 30 years and the evolution of the wedding from a "religious service" to a "big party".
November 2007
Victoria & Albert Museum
The Golden Age of Couture
An evening lecture and display of Couture clothes at the V&A with a practical display of Couture draping techniques including draping tailored jackets and evening dresses.
December 2021
Making a wool coat with a bias cut "swing" back from an original Jon Moore pattern. Hand closed run and fell seams and a special pocket detail and canvased collar. The coat is unlined.
November 2021
Making a classic tailored jacket using traditional Couture sewing techniques. Trace tacking, backing with canvas, making a collar, setting a sleeve and putting in a silk lining by hand.
October 2021
Making a wool coat with a bias cut "swing" back from an original Jon Moore pattern. Hand closed run and fell seams and a special pocket detail and canvased collar. The coat is unlined.
September 2021
Making an unlined jacket using my classic jacket pattern with bound seams and canvased front and collar, creating a modern hybrid jacket perfect for today.
July 2021
Making a classic tailored jacket using traditional Couture sewing techniques. Trace tacking, backing with canvas, making a collar, setting a sleeve and putting in a silk lining by hand.
July 2021
Drafting a trouser pattern to fit each student and then making the trousers using classic couture sewing techniques. Tack marking, stab stitching in canvas and hand finishing a waist band are just some of the things covered on this course.
March 2020
Making a wool coat with a bias cut "swing" back from an original Jon Moore pattern. Hand closed run and fell seams and a special pocket detail and canvased collar. The coat is unlined.
September 2019
A wool boucle short jacket with a side body panel and a classic three piece sleeve. Made using the quilted lining techniques unique and trimmed with braid and signature buttons.
June 2019
Making the perfect LBD. The lightweight wool crepe is draped on the stand and then using traditional Couture, hand sewing techniques, the perfect dress emerges.
June 2019
Making a double face wool crepe jacket to a unique Jon Moore designed and drafted patten. Using Couture sewing techniques, including hand splitting the cloth and closing the seams by hand. Making a canvased collar and top stitching in button hole twist by hand.
April 2019
A wool boucle short jacket with a side body panel and a classic three piece sleeve. Made using the quilted lining techniques unique and trimmed with braid and signature buttons.
October 2018
A five day residential course to create a perfect replica of the students body using a technique I have developed over many years. The students go home with a perfect replica of their own body and learn some simple draping skills using the stand they have created.
OCtober 2018
A five day course exploring the bias using lightweight wool crepe to make a beautiful bias cut dress, including backing with silk georgette, working with silk satin and putting is a
June 2018
A five day course exploring the bias using lightweight wool crepe to make a beautiful bias cut dress, including backing with silk georgette, working with silk satin and putting is a silk lining by hand
June 2018
A five day residential course making a classic tailored jacket using traditional Couture sewing techniques. Trace tacking, backing with canvas, making a collar, setting a sleeve and putting in a silk lining by hand.
May 2018
A five day course exploring the bias using lightweight wool crepe to make a beautiful bias cut dress, including backing with silk georgette, working with silk satin and putting is a silk lining by hand
April 2018
A five day course exploring the bias using lightweight wool crepe to make a beautiful bias cut dress, including backing with silk georgette, working with silk satin and putting is a silk lining by hand
June 2017
A course of 5 days making a body double for a dress stand and then draping a jacket on this stand and making a working pattern from the toile.
June 2017
A course of 5 days, making a lace jacket lined with silk organza and trimmed with duchess satin. Using techniques from the Couture "floo" workroom discovering the art of lace appliqué, working with silk organza and duchess satin and making a pad stitched satin and lace collar.
May 2017
A course of 5 days, making a bias cut wool jacket to a unique Jon Moore designed and drafted patten. Using Couture sewing techniques, including working the cloth on the bias, supporting areas with bias cut canvas and hand sewing in a pure silk bias cut lining.
October 2016
A course of 5 mornings , making a pure silk satin bias cut top to a unique Jon Moore designed and drafted patten. Using Couture sewing techniques, including stab stitching pure silk georgette to the satin, taping the neck and over sewing by hand.
June 2016
A course of 5 days, making a pure wool tweed jacket, backed with canvas and lined in pure silk satin. Using hand tailoring techniques working on tweed, backing with canvas and making a pad stitched collar. Learning how to put in a hand sewn satin lining and trying hand made tailored buttonholes.
May 2016
A course of 5 days, making a lace jacket lined with silk organza and trimmed with duchess satin. Using techniques from the Couture "floo" workroom discovering the art of lace appliqué, working with silk organza and duchess satin and making a pad stitched satin and lace collar.
May 2015
A course of 5 days, making a pure silk coat dress, backed with silk organza and lined in pure silk satin. Using techniques from the Couture "floo" workroom working on silk, silk organza and silk satin. Also covering Couture press studs and making a matching silk belt.
May 2014
A course of 5 days, making a double face wool crepe jacket to a unique Jon Moore designed and drafted patten. Using Couture sewing techniques, including hand splitting the cloth and closing the seams by hand. Making a canvased collar and top stitching in button hole twist by hand.
May 2013
A course of 5 days, making a double knit jersey jacket to a unique Jon Moore designed and drafted pattern. Using Couture sewing techniques including trace marking and stab stitching. Making a canvased collar and setting in sleeves. Putting in a silk lining by hand and hand worked button holes.
July 2011
A course of 5 days, drafting a trouser pattern to fit each student and then making the trousers using classic couture sewing techniques. Tack marking, stab stitching in canvas and hand finishing a waist band are just some of the things covered on this course.
May 2011
A 5 day course using hand tailored Couture techniques to finish a tweed jacket. Including taping and canvassing the jacket front, pad stitching the collar and joining the collar to the jacket by hand. Felling the lining and hand worked button holes.
September / October 2010
A 5 day course making the perfect LBD. The lightweight wool crepe is draped on the stand and then using traditional Couture, hand sewing techniques, the perfect dress emerges.
September / October 2009
A 5 day course making a body double for a dress stand and then draping a jacket on this stand and making a working pattern from the toile.
January 2008
A five day course exploring the concept of fit. Students made up various garments, jackets, skirts and dresses and these garments were then fitted on the students in a class situation to show the various techniques involved in correctly fitting a garment.
January 2007
A course of 5 days, drafting a trouser pattern to fit each student and then making the trousers using classic couture sewing techniques. Tack marking, stab stitching in canvas and hand finishing a waist band are just some of the things covered on this course.
January 2005
A course of 5 days exploring the concept of Couture draping on a stand. Starting with a simple darted dress and then a tailored jacket and two piece sleeve and moving on to a draped dress and then a bias cut double chiffon top.